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The Right to Play Oneself collects for the first time Thomas Waugh’s essays on the politics, history, and aesthetics of documentary film, written between 1974 and 2008. Woven through the volume is the relationship of the documentary with the history of the Left, including discussions of LGBT documentary pioneers and the firebrand collectives that changed the history of documentary.

Author
Subjects
Source
(Minneapolis: University of Minnesota Press, 2011)
Year
2011
Languages
English
Format
Text