Virtual Library

The concern with ethics in North American cultural anthropology discourages political economy research on unequal power relations and other 'dangerous' subjects. US anthropologists define ethics in narrow, largely methodological terms - informed consent, respect for traditional institutions, responsibility to future researchers, legal approval by host nations, and so on. The responsibility of the researcher to uphold 'human rights' or to document political repression and suffering is not merely dismissed by mainstream anthropology as a partisan issue outside the realm of scholarship, but is actually condemned as ethically problematic. The growing postmodernist deconstructivist approach within US anthropology allows ethnographers to obey their discipline's narrow ethical dictates through a reflexive investigation of the hermeneutics of signs and symbols devoid of political economic social context. Drawing on his fieldwork experiences in Central America, the author argues that anthropologists have a historical responsibility to address larger moral issues because their discipline's traditional research subjects - exotic others in remote Third World settings - are violently being incorporated into the world economy in a traumatic manner that often includes starvation, political repression, or even genocide. Meanwhile, in the name of ethics, North American anthropologists continue to ignore or avoid the human tragedies engulfing their 'research subjects'.

The universal promise of contemporary international law has long inspired countries of the Global South to use it as an important field of contestation over global inequality. Taking three central examples, Sundhya Pahuja argues that this promise has been subsumed within a universal claim for a particular way of life by the idea of ‘development.’ As the horizon of the promised transformation and concomitant equality has receded ever further, international law has legitimized an ever-increasing sphere of intervention in the Third World. The post-war wave of decolonization ended in the creation of the developmental nation-state, the claim to permanent sovereignty over natural resources in the 1950s and 1960s was transformed into the protection of foreign investors, and the promotion of the rule of international law in the early 1990s has brought about the rise of the rule of law as a development strategy in the present day.

“First published in 1950 as Discours sur le colonialisme, it appeared just as the old worlds were on the verge of collapse, thanks in part to a world war against fascism that left Europe in material, spiritual and philosophical shambles. . .This is a book about colonialism, its impact on the colonized, on culture, on history, on the very concept of civilization itself, and most importantly, on the colonizer”. From 2000 edition introduction by Robin D.G. Kelley

"The empires of the future would be the empires of the mind" declared Churchill in 1943, envisaging universal empires living in peaceful harmony. Robert Gildea exposes instead the brutal realities of decolonisation and neo-colonialism which have shaped the postwar world. Even after the rush of French and British decolonisation in the 1960s, the strings of economic and military power too often remained in the hands of the former colonial powers. The more empire appears to have declined and fallen, the more a fantasy of empire has been conjured up as a model for projecting power onto the world stage and legitimised colonialist intervention in Afghanistan, Iraq, and Syria. This aggression, along with the imposition of colonial hierarchies in metropolitan society, has excluded, alienated and even radicalised immigrant populations. Meanwhile, nostalgia for empire has bedevilled relations with Europe and played a large part in explaining Brexit.

Situated at the crossroads of queer theory and postcolonial studies, Hybrid Anxieties analyzes the intertwined and composite aspects of identities and textual forms in the wake of the French-Algerian War (1954–1962). C. L. Quinan argues that the war precipitated a dynamic in which a contestation of hegemonic masculinity occurred alongside a production of queer modes of subjectivity, embodiment, and memory that subvert norms. Innovations in literature and cinema were also directly impacted by the long and difficult process of decolonization, as the war provoked a rethinking of politics and aesthetics. The novels, films, and poetry analyzed in Hybrid Anxieties trace this imbrication of content and form, demonstrating how a postwar fracturing had both salutary and injurious effects, not only on bodies and psyches but also on artistic forms. Adopting a queer postcolonial perspective, Hybrid Anxieties adds a new impulse to the question of how to rethink hegemonic notions of gender, sexuality, and nationality, thereby opening up new spaces for considering the redemptive and productive possibilities of negotiating life in a postcolonial context. Without losing sight of the trauma of this particularly violent chapter in history, Hybrid Anxieties proposes a new kind of hybridity that, however anxious and anticipatory, emphasizes the productive forces of a queer desire to deconstruct teleological relationships between past, present, and future.
 

In International Law and World Order, B. S. Chimni articulates an integrated Marxist approach to international law (IMAIL), combining the insights of Marxism, socialist feminism, and postcolonial theory. The book uses IMAIL to systematically and critically examine the most influential contemporary theories of international law, including new, feminist, realist, and policy-oriented approaches. In doing so, it discusses a range of themes relating to the history, structure, and process of international law. The book also considers crucial world order issues and problems that the international legal process has to contend with, including the welfare of weak groups and nations, the ecological crisis, and the role of human rights. This extensively revised second edition provides an invaluable, in-depth and updated review of the key literature and scholarship within this field of study. It will be of particular interest to students and scholars of international law, international relations, international politics, and global studies.

 In Necropolitics, Achille Mbembe theorizes the genealogy of the contemporary world, a world plagued by ever-increasing inequality, militarization, enmity, and terror as well as by a resurgence of racist, fascist, and nationalist forces determined to exclude and kill. He outlines how democracy has begun to embrace its dark side---what he calls its “nocturnal body”---which is based on the desires, fears, affects, relations, and violence that drove colonialism. This shift has hollowed out democracy, thereby eroding the very values, rights, and freedoms liberal democracy routinely celebrates. As a result, war has become the sacrament of our times in a conception of sovereignty that operates by annihilating all those considered enemies of the state. Despite his dire diagnosis, Mbembe draws on post-Foucauldian debates on biopolitics, war, and race as well as Fanon's notion of care as a shared vulnerability to explore how new conceptions of the human that transcend humanism might come to pass. These new conceptions would allow us to encounter the Other not as a thing to exclude but as a person with whom to build a more just world.

Recognized as one of the most influential studies of memory in the late twentieth century, Pierre Nora's monumental project Les Lieux de mémoire has been celebrated for its elaboration of a ground-breaking paradigm for rethinking the relationship between the nation, territory, history and memory. It has also, however, been criticized for implying a narrow perception of national memory from which the legacy of colonialism was excluded. Driven by an increasingly critical postcolonial discourse on French historiography and fuelled by the will to acknowledge the relevance of the colonial in the making of modern and contemporary France, the present volume intends to address in a collective and sustained manner this critical gap by postcolonializing the French Republic's lieux de mémoire. The various chapters discern and explore an initial repertoire of realms and sites in France and the so-called Outremer that crystalize traces of colonial memory, while highlighting its inherent dialectical relationship with firmly instituted national memory. By making visible the invisible thread that links the colonial to various manifestations of French heritage, the objective is to bring to the fore the need to anchor the colonial in a collective memory that has often silenced it, and to foster new readings of the past as it is represented, remembered and inscribed in the nation's collective imaginary.