Back to top

"A Public Sociology for Human Rights."

A public sociology that will tackle the public issues of today requires the transformation of sociology as we know it. This is the stirring message of this volume—at the heart of sociology must lie a concern for society as such, the protection of those social relations through which we recognize each other as humans. Thus, the chapters focus on those fundamental human rights that uphold human community, first and foremost, against the colonizing projects of states and markets.

How Europe Underdeveloped Africa

How Europe Underdeveloped Africa is an ambitious masterwork of political economy, detailing the impact of slavery and colonialism on the history of international capitalism. In this classic book, Rodney makes the unflinching case that African “mal-development” is not a natural feature of geography, but a direct product of imperial extraction from the continent, a practice that continues up into the present.

"Infrastructures of empire: towards a critical geopolitics of media and information studies"

The Arab Uprisings of 2011 can be seen as a turning point for media and information studies scholars, many of whom newly discovered the region as a site for theories of digital media and social transformation. This work has argued that digital media technologies fuel or transform political change through new networked publics, new forms of connective action cultivating liberal democratic values. These works have, surprisingly, little to say about the United States and other Western colonial powers’ legacy of occupation, ongoing violence and strategic interests in the region.

Digital Militarism: Israel's Occupation in the Social Media Age

 Restricted

Israel's occupation has been transformed in the social media age. Over the last decade, military rule in the Palestinian territories grew more bloody and entrenched. In the same period, Israelis became some of the world's most active social media users. In Israel today, violent politics are interwoven with global networking practices, protocols, and aesthetics. Israeli soldiers carry smartphones into the field of military operations, sharing mobile uploads in real-time. Official Israeli military spokesmen announce wars on Twitter.

"Citizen camera-witnessing: Embodied political dissent in the age of 'mediated mass self-communication'"

This article interrogates the emerging modes of civic engagement connected to the mobile camera-phone, and the ways in which they require us to rethink what it is to bear witness to brutality in the age of fundamentally camera-mediated mass self-publication. I argue that the camera-phone permits entirely new performative rituals of bearing witness, such as dissenting bodies en masse recording their own repression and, via wireless global communication networks, effectively mobilizing this footage as graphic testimony in a bid to produce feelings of political solidarity.

Killer Images: Documentary Film, Memory, and the Performance of Violence

Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus.

States of Emergency: Documentaries, Wars, Democracies

Patricia Zimmermann describes the shifting terrains socially engaged documentary artists and experimental filmmakers encounter in the aftermath of corporate consolidation and technological transformations. Public space has been chiseled away and politically conscious documentaries forced to go underground. Viewing an array of subjects through technologies ranging from high-end video, camcorders, cable access, digital imaging systems, and media piracy, Zimmermann charts the intricately layered relationships between independent documentary, power, money, and culture.