Virtual Library

Although commonly associated with patriarchal oppression, arranged marriages have adapted over the centuries to changing cultural norms and the lived experiences of men and women. In Arranged Companions, historian Weijing Lu chronicles how marital behaviors during the early and High Qing (mid-seventeenth through mid-nineteenth centuries) were informed by rich and complex traditions and mediated by the historical conditions of the period, during which marital affection was celebrated as a basic ingredient of an ideal marriage.

Lu finds public representation and private communication of marital affection in personal records, including poetry, biographies, letters, and memoirs. During this unique historical moment, ideals of marital companionship and love came to fruition while social changes also created new tensions for couples and extended families. Offering surprising revelations about conjugal relations during this time of change, Arranged Companions raises provocative questions about the cultural construction of intimacy and the meaning of a “happy marriage.”

Across the nineteenth and twentieth centuries, legislators in Bombay passed a series of repetitive laws seeking to control prostitution. During the same time, Bombay’s sex industry grew vast in scale. Ashwini Tambe explores why these remarkably similar laws failed to achieve their goal and questions the actual purpose of such lawmaking.

Against the backdrop of the industrial growth of Bombay, Codes of Misconduct examines the relationship between lawmaking, law enforcement, and sexual commerce. Ashwini Tambe challenges linear readings of how laws create effects and demonstrates that the regulation and criminalization of prostitution were not contrasting approaches to prostitution but different modes of state coercion. By analyzing legal prohibitions as productive forces, she also probes the pornographic imagination of the colonial state, showing how regulations made sexual commerce more visible but rendered the prostitute silent.

Codes of Misconduct engages with debates on state control of sex work and traces how a colonial legacy influences contemporary efforts to contain the spread of HIV and decriminalize sex workers in India today. In doing so, Tambe’s work not only adds to our understanding of empire, sexuality, and the law, it also sheds new light on the long history of Bombay’s transnational links and the social worlds of its underclasses.

A variety of Chinese writings from the Song period (960–1279)—medical texts, religious treatises, fiction, and anecdotes—depict women who were considered peculiar because their sexual bodies did not belong to men. These were women who refused to marry, were considered unmarriageable, or were married but denied their husbands sexual access, thereby removing themselves from social constructs of female sexuality defined in relation to men. As elite male authors attempted to make sense of these women whose sexual bodies were unavailable to them, they were forced to contemplate the purpose of women’s bodies and lives apart from wifehood and motherhood. This raised troubling new questions about normalcy, desire, sexuality, and identity.

In Divine, Demonic, and Disordered, Hsiao-wen Cheng considers accounts of “manless women,” many of which depict women who suffered from “enchantment disorder” or who engaged in “intercourse with ghosts”—conditions with specific symptoms and behavioral patterns. Cheng questions conventional binary gender analyses and shifts attention away from women’s reproductive bodies and familial roles. Her innovative study offers historians of China and readers interested in women, gender, sexuality, medicine, and religion a fresh look at the unstable meanings attached to women’s behaviors and lives even in a time of codified patriarchy.

Lesbians, prostitutes, women likely to have sex across racial lines, "brought to the United States for immoral purposes," or "arriving in a state of pregnancy"—national threats, one and all. Since the late nineteenth century, immigrant women’s sexuality has been viewed as a threat to national security, to be contained through strict border-monitoring practices. By scrutinizing this policy, its origins, and its application, Eithne Luibhéid shows how the U.S. border became a site not just for controlling female sexuality but also for contesting, constructing, and renegotiating sexual identity.

Initially targeting Chinese women, immigration control based on sexuality rapidly expanded to encompass every woman who sought entry to the United States. The particular cases Luibhéid examines-efforts to differentiate Chinese prostitutes from wives, the 1920s exclusion of Japanese wives to reduce the Japanese-American birthrate, the deportation of a Mexican woman on charges of lesbianism, the role of rape in mediating women’s border crossings today—challenge conventional accounts that attribute exclusion solely to prejudice or lack of information. This innovative work clearly links sexuality-based immigration exclusion to a dominant nationalism premised on sexual, gender, racial, and class hierarchies.
 

«Je suis Sadiq. Tout le monde m'appelle Sad.
Entre tristesse et cruauté, la ligne est mince.
Ève est ma raison, mais elle prétend ne pas le savoir. Quand elle me croise, son regard me traverse sans s'arrêter. Je disparais.
Je suis dans un lieu gris. Ou plutôt brun jaunâtre, qui mérite bien son nom : Troumaron. Troumaron, c'est une sorte d'entonnoir ; le dernier goulet où viennent se déverser les eaux usées de tout un pays. Ici, on recase les réfugiés des cyclones, ceux qui n'ont pas trouvé à se loger après une tempête tropicale et qui, deux ou cinq ou dix ou vingt ans après, ont toujours les orteils à l'eau et les yeux pâles de pluie.»

Par Sad, Ève, Savita, Clélio, ces ados aux destins cabossés pris au piège d'un crime odieux, et grâce à son écriture à la violence contenue au service d'un suspense tout de finesse, Ananda Devi nous dit l'autre île Maurice du XXIe siècle, celle que n'ignorent pas seulement les dépliants touristiques.

With brutal honesty and poetic urgency, Ananda Devi relates the tale of four young Mauritians trapped in their country’s endless cycle of fear and violence: Eve, whose body is her only weapon and source of power; Savita, Eve’s best friend, the only one who loves Eve without self-interest, who has plans to leave but will not go alone; Saadiq, gifted would-be poet, inspired by Rimbaud, in love with Eve; Clélio, belligerent rebel, waiting without hope for his brother to send for him from France. Eve Out of Her Ruins is a heartbreaking look at the dark corners of the island nation of Mauritius that tourists never see, and a poignant exploration of the construction of personhood at the margins of society. Awarded the prestigious Prix des cinq continents upon publication as the best book written in French outside of France, Eve Out of Her Ruins is a harrowing account of the violent reality of life in her native country by the figurehead of Mauritian literature. The book features an original introduction by Nobel Prize winner J.M.G. Le Clézio, who declares Devi “a truly great writer.”

Though the issue of female genital cutting, or "circumcision," has become a nexus for debates on cultural relativism, human rights, patriarchal oppression, racism, and Western imperialism, the literature has been separated by diverse fields of study. In contrast, this volume brings together contributors from anthropology, public health, political science, demography, history, and epidemiology to critically examine current debates and initiatives, and to explore the role that scholars can and should—or should not—play in approaching the issue.

Case studies from nine African countries where female genital cutting (FGC) is traditionally and currently performed evaluate the impact of international efforts to eliminate the practice. A focus on local reactions to external involvement underscores that the myriad programs fashioned to effect changes in FGC ritual and procedure must be initiated and supported by indigenous communities if they are to be lasting and effective.

A distinguished professor of law and philosophy at the University of Chicago, a prolific writer and award-winning thinker, Martha Nussbaum stands as one of our foremost authorities on law, justice, freedom, morality, and emotion. In From Disgust to Humanity, Nussbaum aims her considerable intellectual firepower at the bulwark of opposition to gay equality: the politics of disgust.

In the wake of the Asia-Pacific War, Korean survivors of the "comfort women" system -- those bound into sexual slavery for the Japanese military during the war -- lived under great pressure not to speak about what had happened to them. Hearts of Pine brings us into the lives of three such survivors: Pak Duri, Mun Pilgi, and Bae Chunhui. Over the course of eight years, author Joshua Pilzer worked with these now-elderly women, smoking with them, eating with them, singing and playing with them, trying to understand and document their worlds of song. During four decades of secrecy and the subsequent decades of the "comfort women" protest movement, singing served these women as a means of coping with and expressing their experiences, forging and sustaining identities and social relationships, and recording and conveying their struggles and philosophies of life. Through these intimate portraits, Hearts of Pine illustrates the personal and social power of music vis-à-vis other expressive media, models a humanistic history of modern Korean music, and presents heretofore unrecorded histories of the "comfort women" system and postwar South Korean public culture written in women's song.

In the Event of Women outlines the stakes of what Tani Barlow calls “the event of women.” Focusing on the era of the late nineteenth century through the mid-twentieth century's Cultural Revolution, Barlow shows that an event is a politically inspired action to install a newly discovered truth, in this case the mammal origins of human social evolution. Highbrow and lowbrow social theory circulating in Chinese urban print media placed humanity's origin story in relation to commercial capital's modern advertising industry and the conclusion that women's liberation involved selling, buying, and advertising industrial commodities. The political struggle over how the truth of women in China would be performed and understood, Barlow shows, means in part that an event of women was likely global because its truth is vested in biology and physiology. In so doing, she reveals the ways in which historical universals are effected in places where truth claims are not usually sought. This book reconsiders Alain Badiou's concept of the event; particularly the question of whose political moment marks newly discovered truths.

Assia Djebar L'Amour, la fantasia Nous glissons du passé lointain au passé proche, de la troisième personne à la première ; extraordinaire évocation du père, instituteur de français, de la mère, des cousines, des femmes cloîtrées vives et dont le cri et l'amour nous poursuivent.
Assia Djebar, sans conteste la plus grande romancière du Maghreb, nous donne ici son oeuvre la plus aboutie.


De l'odeur d'amour, de viol plus que de séduction, de l'émotion de la prise d'Alger, il y a cent cinquante ans, à l'arrachement d' il y a vingt ans, c'est comme si la voix d'une femme appelée Algérie venait nous crier ce qui échappe aux historiens, aux analystes, aux commentateurs, aux politiques, bref aux hommes. [...] Un beau livre comme celui-ci, entre la France et l'Algérie, écrit dans un français somptueux, tel qu'il brûle et rayonne entre nos mains, et, malgré le crime, le sang, tous les déchets de l'imposture, c'est du pain partagé.
Jean David, V.S.D.