Winter 2025

This course offers an interdisciplinary encounter with three rich concepts of abiding interest to scholars in the humanities and humanistic social sciences: violence, trauma, and repair. A central goal for the seminar is to think through the relationships between these concepts and their effects in our contemporary world. The course readings comprise several kinds of primary objects: literary texts, ethnographies, psychoanalytic case studies, memoirs, and journalism.

This course familiarizes students with the perspectives, debates, and attitudes that characterize the contemporary field of postcolonial theory, with critical attention to how its interdisciplinary formation contributes to reading literary works. What are the claims made on behalf of literary texts in orienting us to other lives and possibilities, and in registering the experiences of displacement under global capitalism?

Global climate change, the increase in authoritarian government worldwide, disruptions of global supply chains, and growing problems of debt have fallen with particular ferocity on the postcolonial Global South. In countries with poor public health infrastructures and millions of people already vulnerable and insecure at or below the poverty line, the pandemic has set back many of the improvements in human development of the previous decade. In addition to loss of life, millions have been thrown into abject poverty.

This course will examine the development of environmental justice theory and practice through social scientific and ethical literature about the subject as well as primary source accounts of environmental injustices. We will focus on environmental justice issues in Chicago including, but not limited to waste disposal, toxic air and water, the Chicago heat wave, and climate change. Particular attention will be paid to environmental racism and the often understudied role of religion in environmental justice theory and practice.

Documentary Production II focuses on the shaping and crafting of a non-fiction video. Enrollment will be limited to those students who have taken CMST 23930 Documentary Production I. The class will discuss issues of ethics, power, and representation in this most philosophical and problematic of genres. Students will be expected to write a treatment outline detailing their project and learn about granting agencies and budgeting.

The fundamental principle underlying human rights is that they are inherent in the identity of all human beings, regardless of place and without regard to citizenship, nationality, or immigration status. Human rights are universal and must be respected everywhere and always. Human rights treaties and doctrines mandate that a person does not lose their human rights simply by crossing a border. While citizens enjoy certain political rights withheld from foreigners within any given nation-state, what ARE the rights of non-citizens in the contemporary world?

This class focuses on the history and theory of human rights by considering it as a quintessentially postcolonial political form. We consider how Euro-American genealogies of rights intersect and interact with trajectories of colonial rule and postcolonial politics. In the process, the question of rights itself comes to be posed afresh. Empirically, the class focuses on the histories and presents of India and South Africa. Both these countries underwent processes of constitutional decolonization. Thus, rights have a foundational place in both postcolonial polities. What does that mean?

How is the queer enemy politically constructed? And what are the uses and effects of this enemy in contemporary politics? This course investigates queer sexuality as a specific kind of threat and homophobia as a specific mode of political antagonism. Key to understanding this specificity is the examination of other kinds of political enemies. Across categories of gender, sexuality, race, religion, and empire, the course theorizes the queer enemy in a comparative perspective.

Ideas of justice are not self-evident truths but constructed through a variety of practices. This course will explore how the language of human rights, which scholars have called the moral lingua franca of our time, is constructed and circulated through aesthetic representation (such as literature, painting, and film), the law, HRNGOs, and public intellectual debates in the 20th and 21st centuries. Throughout the course, we will ask: How are ideas of human rights produced, transformed, or troubled by aesthetic production?