Virtual Library

Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 demonstrates that popular lynching plays were mechanisms through which African American communities survived actual and photographic mob violence. Often available in periodicals, lynching plays were read aloud or acted out by black church members, schoolchildren, and families. Koritha Mitchell shows that African Americans performed and read the scripts in community settings to certify to each other that lynching victims were not the isolated brutes that dominant discourses made them out to be. Instead, the play scripts often described victims as honorable heads of households being torn from model domestic units by white violence. In closely analyzing the political and spiritual uses of black theatre during the Progressive Era, Mitchell demonstrates that audiences were shown affective ties in black families, a subject often erased in mainstream images of African Americans. Examining lynching plays as archival texts that embody and reflect broad networks of sociocultural activism and exchange in the lives of black Americans, Mitchell finds that audiences were rehearsing and improvising new ways of enduring in the face of widespread racial terrorism. Images of the black soldier, lawyer, mother, and wife helped readers assure each other that they were upstanding individuals who deserved the right to participate in national culture and politics. These powerful community coping efforts helped African Americans band together and withstand the nation's rejection of them as viable citizens.

Celebrating its one-hundredth anniversary in February 2009, the National Association for the Advancement of Colored People (NAACP) has been the leading and best-known African American civil rights organization in the United States. It has played a major, and at times decisive, role in most of the important developments in the twentieth century civil rights struggle. Drawing on original and previously unpublished scholarship from leading researchers in the United States, Britain, and Europe, this important collection of sixteen original essays offers new and invaluable insights into the work and achievements of the association. The first part of the book offers challenging reappraisals of two of the NAACP's best-known national spokespersons, Walter White and Roy Wilkins. Other essays analyze the association's cultural initiatives and the key role played by its public-relations campaigns in the mid 1950s to counter segregationist propaganda and win over the hearts and minds of American public opinion in the wake of the NAACP's landmark legal victory in Brown v. Board of Education. Others provide thought-provoking accounts of the association's complex and difficult relationship with Martin Luther King, the post-World War II Civil Rights movement, and Black Power radicals of the 1960s. The second part of the collection focuses on the work of the NAACP at state, city, and local levels, examining its grassroots organization throughout the nation from Chicago, Cleveland, and Detroit in the North, to California in the West, as well as states across the South including Virginia, Arkansas, Alabama, Louisiana, and Texas. Providing detailed and fascinating information on hitherto little explored aspects of the association's work, these studies complement the previous essays by demonstrating the impact national initiatives had on local activists and analyzing the often-strained relations between the NAACP national office in New York and its regional branches.

Nelson Mandela is one of the great moral and political leaders of our time: an international hero whose lifelong dedication to the fight against racial oppression in South Africa won him the Nobel Peace Prize and the presidency of his country. Since his triumphant release in 1990 from more than a quarter century of imprisonment, Mandela has been at the center of the most inspiring political drama in the world. 

Mandela: An Illustrated Autobiography tells the extraordinary story of Nelson Mandela's life, an epic of struggle, setback, renewed hope, and ultimate triumph. With nearly 200 stunning photographs—many of them published here for the first time—and with text adapted from his remarkable memoir Long Walk to Freedom, this moving book captures the indomitable spirit of a moral giant and dramatically portrays his struggle toward freedom. Mandela's journey is vividly and eloquently recounted: the development of his political consciousness, his pivotal role in the formation of the African National Congress Youth League, his years underground—which led to a sentence of life imprisonment in 1964—and his twenty-seven years behind bars. He also movingly recounts the momentous events leading up to his victory in South Africa's first-ever multiracial elections in 1994.

What determines the flow of labor and capital in this new global information economy? Who has the capacity to coordinate this new system, to create some measure of order? What happens to territoriality and sovereignty, two fundamental principles of the modern state? And who gains rights and who loses rights?

Losing Control? examines the rise of private transnational legal codes and supranational institutions, such as the World Trade Organization and universal human rights covenants, and shows that though sovereignty remains an important feature of the international system, it is no longer confined to the nation-state. Other actors gain rights and a kind of sovereignty by setting some of the rules that used to be within the exclusive domain of states. Saskia Sassen tracks the emergence and the making of the transformations that mark our world today, among which is the partial denationalizing of national territory. Two arenas in particular stand out in the new spatial and economic order by their capacity to set their own rules: the global capital market and the series of codes and institutions that have mushroomed into an international human rights regime. As Sassen shows, these two quasi-legal realms now have the power and legitimacy to demand action and accountability from national governments, with the ironic twist that both depend upon the state to enforce their goals. From the economic policy shifts forced by the Mexico debt crisis to the recurring battles over immigration and refugees around the world, Losing Control? incisively analyzes the events that have radically altered the landscape of governance in an era of increasing globalization.

This special issue of the Health and Human Rights Journal constitutes another step on the path toward making the case for human rights-based approaches (HRBAs) to health. In 2003, the United Nations (UN) outlined the pillars of an HRBA to development, which include universality and inalienability, indivisibility, interdependence and interrelatedness, non-discrimination and equality, participation and inclusion, and accountability and the rule of law. Since then, leaders from national governments and UN agencies have repeatedly emphasized the need to operationalize human rights and incorporate them into the implementation of policies, programs, projects, and other health-related interventions with a view to enhancing effectiveness. Nevertheless, implementation efforts regarding HRBAs to health and development have faced, and continue to face, multiple challenges, including some degree of miscommunication and polarization between different fields, where the imperatives of health and human rights are not always seen as complementary and rights imperatives are misconstrued to ignore all concerns regarding cost-effectiveness. Even for sympathetic actors and institutions, there is a need to gather sufficient evidence of the impact of human rights to be persuasive to policymakers, donors, and the public alike.

The theory of cultural trauma focuses on the relationship between shared suffering and collective identity: Events become traumatic when they threaten a group’s foundational self-understanding. As it stands, the theory has illuminated profound parallels in societal suffering across space and time. Yet focusing on identity alone cannot explain the considerable differences that scholars document in the outcomes of the trauma process. Namely, while some traumas become the basis for moral universalism, generating a capacity to forge connections between an in-group’s suffering and that of out-groups, others have the opposite effect, leading to particularism and closure. Returning to the interdisciplinary literature on trauma, I argue for incorporating temporality as a twin pillar of the trauma process, distinguishing between acting out (reexperiencing a past event as the present) and working through (situating a painful event within historical context). A comparison of three U.S. sites of memory dealing with terrorism illustrates the distinction.

This article explores the role slavery’s eighteenth-and nineteenth-century Atlantic archive plays alongside the digital humanities’ drive for data. It situates critiques of the digital humanities in relation to decades-old debates about slavery that have reemerged with efforts to enumerate and digitize early modern black diasporic life. The article engages those critiques in light of black diasporic communities’ battles for justice and redress and the forms these have taken online, such as Afrofuturism, eBlack Studies, and Digital Alchemy. It argues that, while digitizing the study of slavery threatens to replicate the death work of the slave ship register, black digital practice offers a way of thinking through black life by invoking what the #transformDH collective has described as the digital humanities’ potential for “social justice, accessibility, and inclusion.” It suggests that black digital practice is the interface by which slavery’s archive belies the presumed neutrality of the digital. Black digital practice is the revelation that black subjects have themselves taken up science, data, and coding, in other words, have commodified themselves and digitized and mediated their own black freedom dreams in order to hack their way into the system (modernity, science, the West), take root, and live where they were “never meant to survive.

The growth of the human rights regime in the Palestinian occupied territories during the last two decades and the spread of visual media have had an extreme effect on the nature of Palestinian politics and society. They have transformed the way Palestinians represent themselves to each other and to the international community, whereby appeals to human rights help to constitute a human subject with certain kinds of rights that are seen to arise not from a political status but from the state of (human) nature. In this article, I explore the "politics of immediation" at work during the second Palestinian intifada, which began in 2000, to explain why social actors mobilize representations of people in states of acute physical and emotional distress as part of their political projects.

By taking migrants seriously as subjects of national and transnational memory, this essay picks up where Haacke’s project leaves off. It re-envisions the ‘population’ parallax as an active bearer of memory, rather than as merely a passive object of commemoration. Such a perspective uncovers the multidirectional and transcultural memory work of the population at large: it draws attention in particular to the formation of as-yet under-recognized archives of migrant engagement with the German national past, with a history and memory of which they are ostensibly not a part and about which they are frequently said to be indifferent. In other words, DER BEVOLKERUNG, a performance of memory by a German artist who migrated out of Germany, constitutes only the tip of a rarely explored iceberg: the unavoidable conjunction in contemporary Europe of Holocaust remembrance and migrant history. This conjunction offers an essential perspective on contemporary European society because the continent’s postwar unification – and especially Germany’s central role in that process – has taken place via the explicit rejection of the Nazi past and against the backdrop of demographic changes resulting from labour, postcolonial and post-Communist migrations. Collective memory of the Holocaust has functioned as a point of reference for a post-fascist Europe and the basis of a new human rights regime at the same time that migrations have complicated the ‘unity’ of Europe’s population and posed challenges to Europe’s liberal model of rights.

In five years, Jesmyn Ward lost five young men in her life--to drugs, accidents, suicide, and the bad luck that can follow people who live in poverty, particularly black men. Dealing with these losses, one after another, made Jesmyn ask the question: Why? And as she began to write about the experience of living through all the dying, she realized the truth--and it took her breath away. Her brother and her friends all died because of who they were and where they were from, because they lived with a history of racism and economic struggle that fostered drug addiction and the dissolution of family and relationships. Jesmyn says the answer was so obvious she felt stupid for not seeing it. But it nagged at her until she knew she had to write about her community, to write their stories and her own.