Virtual Library

De 1954 à 1962, plus d’un million et demi de jeunes Français sont partis faire leur service militaire en Algérie. Mais ils ont été plongés dans une guerre qui ne disait pas son nom. Depuis lors, les anciens d’Algérie sont réputés n’avoir pas parlé de leur expérience au sein de leur famille. Le silence continuerait à hanter ces hommes et leurs proches. En historienne, Raphaëlle Branche a voulu mettre cette vision à l’épreuve des décennies écoulées depuis le conflit. Fondé sur une vaste collecte de témoignages et sur des sources inédites, ce livre remonte d’abord à la guerre elle-même : ces jeunes ont-ils pu dire à leur famille ce qu’ils vivaient en Algérie ? Ce qui s’est noué alors, montre Raphaëlle Branche, conditionne largement ce qui sera transmis plus tard. Son enquête suit ensuite les métamorphoses des silences et des récits jusqu’à nos jours. Elle pointe l’importance des bouleversements qu’a connus la société française et leurs effets sur ce qui pouvait être dit, entendu et demandé dans les familles à propos de la guerre d’Algérie. Elle éclaire en particulier pourquoi, six décennies après la fin du conflit, beaucoup d’enfants ont toujours la conviction qu’existe chez leur père une zone sensible à ne pas toucher. Grâce à cette enquête, c’est plus largement la place de la guerre d’Algérie dans la société française qui se trouve éclairée : si des silences sont avérés, leurs causes sont moins personnelles que familiales, sociales et, ultimement, liées aux contextes historiques des dernières décennies. Avec le temps, elles se sont modifiées et de nouveaux récits sont devenus possibles.

Parable of the Talents celebrates the classic Butlerian themes of alienation and transcendence, violence and spirituality, slavery and freedom, separation and community, to astonishing effect, in the shockingly familiar, broken world of 2032. Long awaited, Parable of the Talents is the continuation of the travails of Lauren Olamina, the heroine of 1994's Nebula-Prize finalist, bestselling Parable of the Sower. Parable of the Talents is told in the voice of Lauren Olamina's daughter--from whom she has been separated for most of the girl's life--with sections in the form of Lauren's journal. Against a background of a war-torn continent, and with a far-right religious crusader in the office of the U.S. presidency, this is a book about a society whose very fabric has been torn asunder, and where the basic physical and emotional needs of people seem almost impossible to meet.

For South Koreans, the twenty years from the early 1960s to late 1970s were the best and worst of times—a period of unprecedented economic growth and of political oppression that deepened as prosperity spread. In this masterly account, Carter J. Eckert finds the roots of South Korea’s dramatic socioeconomic transformation in the country’s long history of militarization—a history personified in South Korea’s paramount leader, Park Chung Hee.

The first volume of a comprehensive two-part history, Park Chung Hee and Modern Korea: The Roots of Militarism, 1866–1945 reveals how the foundations of the dynamic but strongly authoritarian Korean state that emerged under Park were laid during the period of Japanese occupation. As a cadet in the Manchurian Military Academy, Park and his fellow officers absorbed the Imperial Japanese Army’s ethos of victory at all costs and absolute obedience to authority. Japanese military culture decisively shaped Korea’s postwar generation of military leaders. When Park seized power in an army coup in 1961, he brought this training and mentality to bear on the project of Korean modernization.

Korean society under Park exuded a distinctively martial character, Eckert shows. Its hallmarks included the belief that the army should intervene in politics in times of crisis; that a central authority should plan and monitor the country’s economic system; that the Korean people’s “can do” spirit would allow them to overcome any challenge; and that the state should maintain a strong disciplinary presence in society, reserving the right to use violence to maintain order.

"La petite Malika, ouvrière dans une usine du port de Tanger, demanda à son voisin Azel, sans travail, de lui montrer ses diplômes. - Et toi, lui dit-il, que veux-tu faire plus tard ? - Partir. - Partir... ce n'est pas un métier ! - Une fois partie, j'aurai un métier. - Partir où ? - Partir n'importe où, là-bas par exemple. - L'Espagne ? - Oui, l'Espagne, França, j'y habite déjà en rêve. - Et tu t'y sens bien ? - Cela dépend des nuits." Tahar Ben Jelloun. 

Tahar Ben Jelloun est un écrivain dont la double culture arabe et occidentale fait à chaque fois des étincelles et permet de traiter des sujets humainement très forts. La condition féminine au Maghreb, le racisme… et ici l’exil, sujet magnifiquement exploré à partir des aventures d’Azel, un jeune homme qui incarne le rêve de la fuite vers le mirage européen. L’action commence à Tanger, port depuis lequel on aperçoit les côtes espagnoles brillant la nuit. Face à Tanger, le bonheur… Mais sur la mer, le danger, avec tous ces passeurs peu scrupuleux qui font commerce du rêve et dont le cynisme mène chaque année à la mort des dizaines de jeunes gens. Azel, pour sa part, choisit un autre mode de passage : il bénéficie de la générosité d’un homosexuel espagnol qui va lui permettre d’obtenir un visa pour séjourner en Europe. Et l’amour dans tout ça ? Peut-être est-ce celui de la belle Kenza, qui reste sur le sol marocain, qui remettra Azel sur le « bon chemin », entre mirage et désespoir. Revenir ?

In Leaving Tangier, award-winning, internationally bestselling author Tahar Ben Jelloun tells the story of a Moroccan brother and sister making new lives for themselves in Spain. Azel is a young man in Tangier who dreams of crossing the Strait of Gibraltar. When he meets Miguel, a wealthy Spaniard, he leaves behind his girlfriend, his sister, Kenza, and his mother, and moves with him to Barcelona, where Kenza eventually joins them. What they find there forms the heart of this novel of seduction and betrayal, deception and disillusionment, in which Azel and Kenza are reminded powerfully not only of where they've come from, but also of who they really are.

For nearly thirty years, anthropologist and physician Paul Farmer has traveled to some of the most impoverished places on earth to bring comfort and the best possible medical care to the poorest of the poor. Driven by his stated intent to "make human rights substantial," Farmer has treated patients―and worked to address the root causes of their disease―in Haiti, Boston, Peru, Rwanda, and elsewhere in the developing world. In 1987, with several colleagues, he founded Partners In Health to provide a preferential option for the poor in health care. Throughout his career, Farmer has written eloquently and extensively on these efforts. Partner to the Poor collects his writings from 1988 to 2009 on anthropology, epidemiology, health care for the global poor, and international public health policy, providing a broad overview of his work. It illuminates the depth and impact of Farmer’s contributions and demonstrates how, over time, this unassuming and dedicated doctor has fundamentally changed the way we think about health, international aid, and social justice.

Pathologies of Power uses harrowing stories of illness, of life—and death—in extreme situations to interrogate our understanding of human rights. Paul Farmer, a physician and anthropologist with twenty years of experience studying diseases in Haiti, Peru, and Russia, argues that promoting the social and economic rights of the world’s poor is the most important human rights struggle of our times. A thoughtful memoir with passionate eyewitness accounts from the prisons of Russia and the beleaguered villages of Haiti and Chiapas, this book links the lived experiences of individual victims to a broader analysis of structural violence. Farmer challenges conventional thinking within human rights circles and exposes the relationships between political and economic injustice, on one hand, and the suffering and illness of the powerless, on the other.

First published in Portuguese in 1968, Pedagogy of the Oppressed was translated and published in English in 1970. The methodology of the late Paulo Freire has helped to empower countless impoverished and illiterate people throughout the world. Freire's work has taken on especial urgency in the United States and Western Europe, where the creation of a permanent underclass among the underprivileged and minorities in cities and urban centers is increasingly accepted as the norm.

With a substantive new introduction on Freire's life and the remarkable impact of this book by writer and Freire confidant and authority Donaldo Macedo, this anniversary edition of Pedagogy of the Oppressed will inspire a new generation of educators, students, and general readers for years to come

Here, in one volume: Marjane Satrapi's best-selling, internationally acclaimed graphic memoir.

Persepolis is the story of Satrapi's unforgettable childhood and coming of age within a large and loving family in Tehran during the Islamic Revolution; of the contradictions between private life and public life in a country plagued by political upheaval; of her high school years in Vienna facing the trials of adolescence far from her family; of her homecoming--both sweet and terrible; and, finally, of her self-imposed exile from her beloved homeland. It is the chronicle of a girlhood and adolescence at once outrageous and familiar, a young life entwined with the history of her country yet filled with the universal trials and joys of growing up.

Edgy, searingly observant, and candid, often heartbreaking but threaded throughout with raw humor and hard-earned wisdom--Persepolis is a stunning work from one of the most highly regarded, singularly talented graphic artists at work today.

Two competing lawyer join forces to sue a prestigious law firm for AIDS discrimination. As their unlikely friendship develops, their courage overcomes the prejudice and corruption of their powerful adversaries.

In 1943, Fania Fénelon was a Paris cabaret singer, a secret member of the Resistance, and a Jew. Captured by the Nazis, she was sent to Auschwitz, and later, Bergen-Belsen. With unnerving clarity and an astonishing ability to find humor where only despair should prevail, the author charts her eleven months as one of “the orchestra girls”; writes of the loves, the laughter, hatreds, jealousies, and tensions that racked this privileged group whose only hope of survival was to make music.