Virtual Library

Undivided Rights presents a textured understanding of the reproductive rights movement by placing the experiences, priorities, and activism of women of color in the foreground. Using historical research, original organizational case studies, and personal interviews, the authors illuminate how women of color have led the fight to control their own bodies and reproductive destinies. Undivided Rights shows how women of color---starting within their own Latina, African American, Native American, and Asian American communities--have resisted coercion of their reproductive abilities. Projected against the backdrop of the mainstream pro-choice movement and radical right agendas, these dynamic case studies feature the groundbreaking work being done by health and reproductive rights organizations led by women-of-color.

The book details how and why these women have defined and implemented expansive reproductive health agendas that reject legalistic remedies and seek instead to address the wider needs of their communities. It stresses the urgency for innovative strategies that push beyond the traditional base and goals of the mainstream pro-choice movement--strategies that are broadly inclusive while being specific, strategies that speak to all women by speaking to each woman. While the authors raise tough questions about inclusion, identity politics, and the future of women's organizing, they also offer a way out of the limiting focus on "choice."

Undivided Rights articulates a holistic vision for reproductive freedom. It refuses to allow our human rights to be divvied up and parceled out into isolated boxes that people are then forced to pick and choose among.

Une si longue lettre est une oeuvre majeure, pour ce qu'elle dit de la condition des femmes. Au coeur de ce roman, la lettre que l'une d'elle, Ramatoulaye, adresse à sa meilleure amie, pendant la réclusion traditionnelle qui suit son veuvage. Elle y évoque leurs souvenirs heureux d'étudiantes impatientes de changer le monde, et cet espoir suscité par les Indépendances. Mais elle rappelle aussi les mariages forcés, l'absence de droit des femmes. Et tandis que sa belle-famille vient prestement reprendre les affaires du défunt, Ramatoulaye évoque alors avec douleur le jour où son mari prit une seconde épouse, plus jeune, ruinant vingt-cinq années de vie commune et d'amour. La Sénégalaise Mariana Bâ est la première romancière africaine à décrire avec une telle lumière la place faite aux femmes dans sa société.

A Tempest is Aimé Césaire's anti-colonialist refashioning of Shakespeare. Alongside The Tragedy of King Cristophe and A Season in the Congo, it completes a 'triptych' of plays that examine the effects of colonialism.

As international criminal courts and tribunals have proliferated and international criminal law is increasingly seen as a key tool for bringing the world’s worst perpetrators to account, the controversies surrounding the international trials of war criminals have grown. War crimes tribunals have to deal with accusations of victor’s justice, bad prosecutorial policy and case management, and of jeopardizing fragile peace in post-conflict situations. In this exceptional book, one of the leading writers in the field of international criminal law explores these controversial issues in a manner that is accessible both to lawyers and to general readers.

In the third edition of his classic work, revised extensively and updated to include recent developments on the international scene, Jack Donnelly explains and defends a richly interdisciplinary account of human rights as universal rights. He shows that any conception of human rights—and the idea of human rights itself—is historically specific and contingent. Since publication of the first edition in 1989, Universal Human Rights in Theory and Practice has justified Donnelly’s claim that "conceptual clarity, the fruit of sound theory, can facilitate action. At the very least it can help to unmask the arguments of dictators and their allies."

Unspeakable Acts, Ordinary People is a riveting book that exposes the potential in each of us for acting unspeakably. John Conroy sits down with torturers from several nations and comes to understand their motivations. His compelling narrative has the tension of a novel. He takes us into a Chicago police station, two villages in the West Bank, and a secret British interrogation center in Northern Ireland, and in the process we are exposed to the experience of the victim, the rationalizations of the torturer, and the seeming indifference of the bystander. The torture occurs in democracies that ostensibly value justice, due process, and human rights, and yet the perpetrators and their superiors escape without punishment, revealing much about the dynamics of torture.

In a sweeping review of forty truth commissions, Priscilla Hayner delivers a definitive exploration of the global experience in official truth-seeking after widespread atrocities. When Unspeakable Truths was first published in 2001, it quickly became a classic, helping to define the field of truth commissions and the broader arena of transitional justice. This second edition is fully updated and expanded, covering twenty new commissions formed in the last ten years, analyzing new trends, and offering detailed charts that assess the impact of truth commissions and provide comparative information not previously available.

Placing the increasing number of truth commissions within the broader expansion in transitional justice, Unspeakable Truths surveys key developments and new thinking in reparations, international justice, healing from trauma, and other areas. The book challenges many widely-held assumptions, based on hundreds of interviews and a sweeping review of the literature. This book will help to define how these issues are addressed in the future.

Portrayals of the Holocaust in literature, paintings, and architecture have aroused many ethical debates. How can we admire, much less enjoy, art that deals with such a horrific event? Does finding beauty in the Holocaust amount to a betrayal of its victims?

Brett Kaplan's Unwanted Beauty meets these difficult questions head on, analyzing a wide range of Holocaust representations in order to argue that a more careful understanding of aesthetics and its relation to history can best address the anxieties raised by beauty in Holocaust art.

Building on the work of Marianne Hirsch, Leo Spitzer, and other scholars, Kaplan approaches this art from multiple perspectives, including the works created within the concentration camps and by Holocaust survivors. She analyzes how art contributes to survival and how it functions within memory and history. Addressing the literary work of Paul Celan, Charlotte Delbo, Jorge Semprun, and Edmond Jabes; the visual art of Christian Boltanski and Anselm Kiefer; and the monuments and museums of Peter Eisenman, Jochen Gerz, Esther Shalev-Gerz, and James Ingo Freed, Unwanted Beauty finds that the aesthetic pleasures in these complex and multivalent texts can transform memory in enlivening ways and open these traumatic historical events to deeper understanding.

In April 1917, Lenin arrived at Petrograd's Finland Station and set foot on Russian soil for the first time in over a decade. For most of the past seventeen years, the Bolshevik leader had lived in exile, moving between Europe's many "Russian colonies"--large and politically active communities of émigrés in London, Paris, and Geneva, among other cities. Thousands of fellow exiles who followed Lenin on his eastward trek in 1917 were in a similar predicament. The returnees plunged themselves into politics, competing to shape the future of a vast country recently liberated from tsarist rule. Yet these activists had been absent from their homeland for so long that their ideas reflected the Russia imagined by residents of the faraway colonies as much as they did events on the ground. The 1917 revolution marked the dawn of a new day in Russian politics, but it also represented the continuation of decades-long conversations that had begun in emigration and were exported back to Russia.

Faith Hillis examines how émigré communities evolved into revolutionary social experiments in the heart of bourgeois cities. Feminists, nationalist activists, and Jewish intellectuals seeking to liberate and uplift populations oppressed by the tsarist regime treated the colonies as utopian communities, creating new networks, institutions, and cultural practices that reflected their values and realized the ideal world of the future in the present. The colonies also influenced their European host societies, informing international debates about the meaning of freedom on both the left and the right. Émigrés' efforts to transform the world played crucial roles in the articulation of socialism, liberalism, anarchism, and Zionism across borders. But they also produced unexpected--and explosive--discontents that defined the course of twentieth-century history.

This groundbreaking transnational work demonstrates the indelible marks the Russian colonies left on European politics, legal cultures, and social practices, while underscoring their role during a pivotal period of Russian history.

The meeting of the Russian and Qing empires in the nineteenth century had dramatic consequences for Central Asia’s Muslim communities. Along this frontier, a new political space emerged, shaped by competing imperial and spiritual loyalties, cross-border economic and social ties, and the revolutions that engulfed Russia and China in the early twentieth century. David Brophy explores how a community of Central Asian Muslims responded to these historic changes by reinventing themselves as the modern Uyghur nation.

As exiles and émigrés, traders and seasonal laborers, a diverse diaspora of Muslims from China’s northwest province of Xinjiang spread to Russian territory, where they became enmeshed in political and intellectual currents among Russia’s Muslims. From the many national and transnational discourses of identity that circulated in this mixed community, the rhetoric of Uyghur nationhood emerged as a rallying point in the tumult of the Bolshevik Revolution and Russian Civil War. Working both with and against Soviet policy, a shifting alliance of constituencies invoked the idea of a Uyghur nation to secure a place for itself in Soviet Central Asia and to spread the revolution to Xinjiang. Although its existence was contested in the fractious politics of the 1920s, in the 1930s the Uyghur nation achieved official recognition in the Soviet Union and China.

Grounded in a wealth of little-known archives from across Eurasia, Uyghur Nation offers a bottom-up perspective on nation-building in the Soviet Union and China and provides crucial background to the ongoing contest for the history and identity of Xinjiang.